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    The description :a live music exchange research project on uk live music census...

    This report updates in 14-Jun-2018

Created Date:2016-03-10

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you are using an outdated browser. please upgrade your browser to improve your experience. skip to main content toggle navigation home about team report toolkit resources press contact what is the uk live music census? the uk’s first ever national live music census took place in spring 2017: for 24 hours from noon on thursday 9 th march, an army of volunteers went out and about to live music events in glasgow, newcastle-gateshead, oxford, leeds, southampton and brighton (and 1 st june in liverpool), from pub gigs to massed choirs to arena concerts. a nationwide online survey for musicians, venues, promoters and audiences was online from march until june. the intention was to help measure live music’s cultural and economic value, discover what challenges the sector is facing and inform policy to help it flourish. the census covers all genres and takes a broad definition of live music to include events featuring djs. the uk live music census was organised by researchers from the live music exchange research group, a collaboration across the universities of edinburgh, newcastle and the university of turku (finland). in 2015, the same researchers organised a pilot live music census in edinburgh, inspired by work in melbourne by dobe newton in 2012. thank you to all those who completed the survey and to our intrepid volunteers who collected data in the case study cities. the full report and executive summary was published on 16 th february 2018. if you would like to carry out your own local live music census, download the free live music census toolkit. download the report download the toolkit back to top about why are we doing a live music census? live music is popular across the uk, and has become increasingly important to the music industries, overtaking recording revenues in 2008 according to figures published by prs for music. yet recent years have been difficult for venues. these challenges are felt particularly keenly by the smaller venues, clubs and pubs which provide for local musicians and audiences and which serve as the training ground for future headline acts. there is widespread interest in the live music sector, and there have been numerous reports assessing its value produced by industry organisations, policy bodies and the charity sector. nevertheless, there is still a gap in our knowledge about the specific relationship between the value of live music on the one hand and the current challenges facing venues across the uk on the other. accounts of live music activity vary according to where they have been produced, by whom, and by what method. this variation can make it difficult to make meaningful comparisons across cities, and across different types of music and different types of venue. our project addressed these issues directly. the uk live music census has been a collaboration between music industry organisations, policy bodies and leading academic live music researchers. working with key personnel in the live music sector, and building on the project team’s pilot study of a census of live music in edinburgh, we have provided the first account of live music in the uk that covers the full range of venues and that includes all types of musical activity – from amateur to professional. our previous research shows that the way that different local councils deal with live music and venue licensing can have a profound effect on live music provision, but also that it is difficult for them to make informed decisions given the variety of approaches used in previous reports. by bringing together representatives of the music industry, policymakers and academics to help to design the surveys and promote them nationwide, this project will assist all of us by providing a method and framework we can all agree on for assessing the scope and value of live music in the uk. this will be a huge step forward for all concerned in working to safeguard and develop the cultural and economic well-being of this most valuable facet of local character in towns and cities across the country. what did we do? the uk live music census used two main methods. the first was nationwide online surveys which were for audiences, musicians, venues and promoters. the second method was the snapshot censuses, which gave us rich data about particular cities including glasgow, newcastle-gateshead, oxford (all covered by our core funding), brighton, leeds, liverpool and southampton. our affiliates at the british and irish of modern music institute (bimm) in brighton, leeds beckett university , university of liverpool / liverpool institute of performing arts / liverpool john moores university and southampton solent university ran censuses in those cities. for a full account of the methodology see the full project report . what do we hope to have achieved? the uk live music census 2017 builds on previous work on the economic value of the music industries, including live music, conducted by uk music and prs for music , and on the current state of play for smaller live music venues by the music venue trust . the census breaks new ground by focusing on the social and cultural value of live music specifically – which have at times taken something of a back seat to economic analyses – to synthesise these interdependent aspects of the uk’s live music sector in the first nationwide live music census. as lord clement-jones, the peer who championed the 2012 live music act, said before the project started: “live music is facing a number of challenges at the moment, from venues closing down to the threat of increased business rates. however, data about the sector has so far been relatively scarce and mostly anecdotal, and so the much needed data collected by uk live music census will help us protect live music going into the future. as a result of the census, then, we now have a methodology which can be developed going forward, a rich dataset of quantitative and qualitative data about four key stakeholders, and some interesting and useful findings about the sector. the data has enabled us to make suggestions for evidence-based policy which will help to protect the sector going into the future, as well as a number of avenues for further research.” as a result of the census, then, we now have a methodology which can be developed going forward, a rich dataset of quantitative and qualitative data about four key sets of stakeholders, and some interesting and useful findings about the sector. the data has enabled us to make suggestions for evidence-based policy which will help to protect the sector going into the future, as well as a number of avenues for further research. we hope that this project will prove a useful starting point for future census exercises and will enable historians from the future to be able to look back at the state of live music in the uk in 2017. just as population censuses have proved to have immense value beyond their initial remit, so too we hope that a regular uk live music census will help to better chart the ever-shifting trends within the sector. in doing so, it will allow researchers and policy-makers alike to better understand how and why live music continues to be valued, and the challenges faced by those who create and enjoy it, as we move into 2018 and beyond. back to top team project partners dr matt brennan principal investigator university of edinburgh matt’s current research focuses on the music industries - and live music in particular - and the social history of the drum kit and drummers. professor martin cloonan co-investigator university of turku, finland (previously university of glasgow) professor martin cloonan is director of the turku insitute for advanced studies (tias, www.utu.fi/tias) at the university of turku, finland. his research interests include the politics of popular music and issues concerning regulation, censorship and freedom of expression. dr adam behr co-investigator newcastle university adam’s research covers the politics and socio

URL analysis for uklivemusiccensus.org


http://uklivemusiccensus.org///#resources
http://uklivemusiccensus.org/victoria-larkin-deputy-director-oxford-contemporary-music/
http://uklivemusiccensus.org/paul-smith-manager-the-three-tuns-gateshead/
http://uklivemusiccensus.org/wp-content/uploads/2018/02/venue-online-survey-odt.odt
http://uklivemusiccensus.org/chris-cusack-eventsvenue-manager-bloc-glasgow/
http://uklivemusiccensus.org///#about
http://uklivemusiccensus.org/wp-content/uploads/2018/02/venue-short-follow-up-survey-odt.odt
http://uklivemusiccensus.org/wp-content/uploads/2018/02/venue-long-follow-up-survey-word.docx
http://uklivemusiccensus.org/wp-content/uploads/2018/01/template-for-venue-database.xlsx
http://uklivemusiccensus.org/chase-park-festival-gateshead-alistair-mcdonald/
http://uklivemusiccensus.org/wp-content/uploads/2018/01/publicity-campaign-part-2.docx
http://uklivemusiccensus.org/interview-with-ronan-munro-editor-of-nightshift-oxford/
http://uklivemusiccensus.org/wp-content/uploads/2018/03/uk-live-music-census-2017-full-report-large-print.pdf
http://uklivemusiccensus.org//#_ftnref2
http://uklivemusiccensus.org//#main_content
bpi.co.uk
musiciansunion.org.uk
helpmusicians.org.uk
local.gov.uk
makingmusic.org.uk
ed.ac.uk
ncl.ac.uk
london.gov.uk
biglotteryfund.org.uk
basca.org.uk

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Domain Name: UKLIVEMUSICCENSUS.ORG
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